Wednesday, January 7, 2009  Text AAA   Italiano
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Finmeccanica sponsors "Chagall's Wonderland"

Rome - Complesso del Vittoriano,  March 9 - July 1, 2007
 
Finmeccanica is one of the sponsors of the exhibition devoted to Russian painter Marc Chagall, entitled "Chagall delle Meraviglie" (Chagall's Wonderland) being held from March 9 to July 1, 2007, at the Vittoriano gallery in Rome. In recent years, this prestigious gallery has presented a number of important events focusing on 20th century artists, including "Matisse and Bonnard".
 
"Chagall's Wonderland" brings together more than 150 of his works, including paintings, gouaches, drawings, sculptures and engravings. The show sets out to look at his career through a number of key works that are recognised as classics by art critics. So the exhibition presents Chagall's works in the light of how he was influenced by other painters and art movements, enabling visitors to appreciate his works through traditional types of painting which were always a sort of proving ground for his extraordinary and highly original creativity.
 
This enables us to see how Chagall, beyond his apparent simplicity, is a painter with a considerable depth of culture and tradition. What seems to be lightness is far from being an ingenuous choice; rather, it is the result of layer upon layer of experiences which include complex ideological and cultural aspects; these lead to an interweaving of influences that range from the world of the established avant-garde, especially Surrealism and Expressionism, up to abstract and conceptual art in the period immediately following the Second World War.
 
This major exhibition is organised by Meret Meyer as curator, president of the "Comité Marc Chagall" in Paris, representing the Chagall family heirs, backed up by a scientific committee consisting of Alan Crump, professor of Modern Art History at the University of Witwatersrand in Johannesburg; Claudia Zevi and Claudio Strinati, Superintendent of the Rome Museum Group; Jean-Claude Marcadé, Emeritus Director of Research at the "Centre National de la Recherche Scientifique" in Paris; Marcello Massenzio, professor of History of Religions, University of Rome; Eugenia Petrova, deputy-director of the Russian Museum in St Petersburg; and Ekaterina Selezneva, curator of Moscow's Tretjakov Gallery.
 
Il suonatore di mandolino, 1914La passeggiata, 1917- 1918
Gli amanti in rosa, 1916 Il mazzo di fiori e gli amanti, 1960 ca.
 
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